“Don’t go into theatrics.” my mom would say when I tried to explain why I did something she had thought was outrageous. Both my parents had local community experience on stage, so references to theatre popped up often during my childhood. My mom and dad met in a Social Club (which was a popular institution in pre-WWII England). These clubs were run by youthful members who planned dance-nights, sports events, card parties, and cultural festivals. Much later, in Canada and the USA, my parents organized successful amateur productions of traditional drama, musicals, and participatory community theatre.
My mom had plans for her son and daughter to go into showbiz. My sister and I performed on union hall stages and auditioned for television amateur shows. We didn’t like the spotlight. We didn’t dedicate ourselves to honing our talents. We were content with the theatre of our own lives. What we extended into our adulthood was our love of musical theatre, particularly as produced for the cinema. I knew many songs from these shows enough to sing heartily in the shower, or someplace private. My sister, once drunk, belted the lyrics out with enough gusto to convince me she knew them by heart too. Theatrically, our own paths diverged only slightly: She acted out on the karaoke stage while I joined voices with others in church choirs. My mother always referred to us as the devil and the angel. Pity us both.
That symbol of theatre; those masks of joy and sadness, are evident in personal lives as well as behind the curtain. There is an element of pretending in our behaviour. Some might refer to it as, “Fake it ‘till you make it.” I have to say I have tried to be genuine in my approach to life. Others have expressed that I am a man of even keel. I suppose I have tried to act that part whenever I can, being the guy everyone can count on. However there was one time in my early forties where I forgot my lines. In fact I totally went off-script and let others take the responsibility for life’s big play. Those days lacked the lift found in a musical production.
I relate closely to films that examine the complexity of the human condition. Recently I was transfixed by the television series Mare of Easttown. The titular character played by Kate Winslet, was disturbingly close to my memories of my sister. Within the gentle comedy of Ted Lasso I found that title character, played by Jason Sudeikis, to be as close to what I would like to be in my world. Self perception is often inaccurate and we may wish to deny the associations we deem fit to define us. Within the theatres of our mind we have had directors, script writers, costume designers, and singing coaches all trying to make our performance be spectacular.
A life’s work is finding the song we can sing, or the part we can play that will bring us to the red carpet knowing we’ve earned the recognition.