Re: Appropriate

Sometimes it is hard to find the appropriate word. I have to take into account the way language evolves over time. Add to that the changing societal norms of acceptable usage, then it takes courage to speak or write what might be on my mind. I believe that freedom of speech requires an appropriate filter if I wish to engage in meaningful conversation. Reading helps me stay on top of current language trends. Writers can suggest uses of words or phrases in ways that sometimes seriously startle me. A challenging author can get to the how of life rather than dwelling on the why.  That’s a grander exploration than the dead end annoyance of why someone did or said something controversial.

Cultural appropriation is in the news. Artists are currently frustrated by criticism when they explore features outside of their domain. I wonder how we can get to that place of cultural understanding if we do not pretend or act out roles that are unfamiliar to us. I think that it is part of the learning process to appropriate ways that may be foreign. Perhaps that can be a way to walk a while in the other’s shoes. If we hold too fast to notions of exclusivity we are in danger of discarding the concepts of openness and inclusivity.

I have often felt outside. Luckily, belonging to a dominant culture allows me more freedom to be an outsider than someone who is already on the fringe or part of a minority. I get that being marginalized would make you hold on to what you have with greater passion, especially when your culture is being appropriated. Historically, The Doctrine of Discovery was a document legitimizing theft. It was a rationale for displacement and slavery. No one has a justifiable right to have their cultures appropriated by another. The appropriate English name we have for that is genocide: The ultimate form of appropriation.

Jesse Wente is a respected thinker and film critic. He has published a memoir called Unreconciled. While reading this book, I felt as though he was in the room with me, challenging my perceptions of inclusivity, patriarchy and colonialism with the gentle persuasion of a man honestly examining his own role in the world. In spite of my white skin and ancestry I recognized the truth of his life experience when I could relate it to the truth of my own existence. I could find a commonality even though we are not of the same tribe. I believe we share and value the importance of story telling in our individual lives. I felt closest to his words when I allowed myself to respectfully, in thought, tread where he had tread.

My high school was full of extracurricular opportunities. The many different clubs I joined helped me to understand my identity. Sometimes I found the membership requirements to be inappropriate to my goals, so I quit. I could always try another club. Sometimes my application to join a group was rejected, then I felt crushed. Words can break bones.

Re: Scene

My wife and I have been talking about scenarios on a daily basis. We both like to have some grasp of the future so we plot out possible scenes as a playwright might. Shepherding two seniors through end of life stages is no easy task, especially when they have so little intention to be part of the present scene. One will say it is too early for such talk while the other will prefer to listen to audio books. Both of them effectively leaving it to us to write what could happen next. Hard to make any headway when some of the players don’t even want to read the script, let alone help to write it.

Children are often being told not to make a scene. Parents hate to have attention drawn to them in a public place. My first wife had the effective strategy of scooping up our toddlers the second they misbehaved in a store. Into the car they would go for a chilly drive home where they would be confined to their room. Sounds harsh, yet it would always be followed up with a conversation on how the scene was seen by all of the actors involved. Kids are predisposed to act out their frustrations, fears and wants, yet they must learn the consequences and be guided towards solutions.

I used to accompany my artistic father on sketching walks. Rather than take a polaroid shot of a scenic view, he would sit for a bit on a small canvas foldable chair and focus his attention on picturesque details. He would make notes of colours so when he returned to his apartment he could use his pastels or oil paint to best affect. As a result, I fell in love with scenery in general and landscapes in particular. Even when I have been in a confined space I have tried to trick my mind into seeing a vista. I’ve found that even in a small backyard or on an apartment balcony I could visualize elements of a grand canyon just by narrowing my view to marvel at the details of the scene.

Nothing makes my emotions tingle so quickly as a well acted scene in a stage play, television serial or big screen film. When a scene can include the expanse of magnificent scenery, well, that memory forms a bond in my brain that forever informs the scenes of my own life. For example, I can recall the intricately placed scenery from a production of La Boheme my wife and I viewed at the Opera House in Oslo, Norway. This magnificent piece of architecture was a treat for the senses both inside and outside. My favourite film of all time, Lawrence of Arabia, has so many scenic scenes that I am awestruck by the planning it must have taken to make this masterwork of cinemascope.

Moments in time can be scenes from which lifetime memories are built. From birth to death  there are opportunities to wonder. The more involved we are, the more vivid the scenery.