I’m not threatened by people who pontificate as long as they aren’t fudging the truth. I enjoy hearing people’s points of view as long as they aren’t trying to push someone else’s agenda. In short; if you are giving me your thoughts of the day I’ll enjoy looking through your lens since it might give me a fresh perspective. And while we are at it, let’s agree that sermons can be found in many venues these days, not just in a church. I think that a sermon is not so much about advice, rather it’s an opening of a door or window. We may see what we already know yet have resisted acknowledging.
One of my friends enjoys what he calls ‘The Church of Bill Maher’. Each Friday he’ll watch Maher’s television show ‘Real Time’ to catch a dissection and analysis of the weekly news. The final segment ‘New Rules’ seems a lot like a sermon to me as the host preaches what he feels should become standard cultural practise. Tongue in cheek sarcasm is used while delivering his message. Similarly, Canadian comic Rick Mercer used rants, often delivered while walking alone in back alleys, about cultural conundrums or political missteps. He had this message to impart in the early Covid19 days and it’s still relevant today.
You don’t have to be a talkshow host to express an opinion. People from all sectors of society can be heard spouting their sermons while mounted on a soap box or an equivalent platform. TED talks are sermons for the business set. Government buildings are magnets for the protestor’s voice. I prefer the open air preachers who invite me in closer without the use of a megaphone. Some say the message must be amplified before it is recognized. I believe if the idea has value it will be heard. Some folk can con by sanitizing their ideas before they sermonize with smooth talk. Before you know it, you’re shouting agreement. There you go again, down that garden path. The morning after you might have a headache, regretting that you were so easily swayed. Self awareness is key to deciding if the message or the messenger is attracting your attention or motivating your behaviour.
I’ve given sermons in churches, declarations at protest marches, pronouncements at board meetings, speeches in school and admonishments to my children. I’ve had something to say in each case while easily admitting that I don’t know everything there is to know. I prefer to set a quiet example but I don’t mind rising to the occasion when the time for talk seems appropriate. When I’ve answered the call to speak I’ve felt most comfortable in the role of story teller. Greek philosopher/teacher Socrates suggested that posing a question was a better way to evoke thought, rather than providing a prescription for the right way to live.
If you wanted to start a principled movement what would your keynote address sound like? How would you persuade others to join you in your quest?
Early every New Year media sources look for seers who are willing to share their predictions. I didn’t see many prophecies this year. Maybe Covid19 trauma has dulled our sense of tomorrow. In many art forms, visions of the future still abound. For example, from an episode of the viral apocalypse TV series ‘Station Eleven’ a character in an airport makes a speech to calm the crowd “There is no future!” the soothsayer declares. With that, those assembled begin talking about what they can do with the frightening realities of the moment. Living in the present is hard. I prefer the hopefulness of the future, while other souls cling to the past for comfort.
World religions have a bazillion prophets. Characteristically men dominate the list. I have a sweet spot for Sarah, a woman more legend than fact, who lived to be 107 years of age. There is that guy named Joseph Smith, the Mormon founder and follower Brigham Young whose visions led to the deaths of many. In principle and for my tastes, prophets must lead by example, must not profit, nor advocate for exclusivity, status or ethnic cleansing. I have inwardly gasped when I have caught the holiness within others whom I have met. The thought that God might walk amongst us intrigues me.
Clairvoyants fascinate me. They’re often referred to as people ‘ahead of their time’. A list of my personal oracles can include folks from many walks of life: Jacques Cousteau, Isaac Asimov, Rachel Carson, H.G. Wells, Desmond Tutu, Martin Luther King Jr., George Carlin, Peter Weir, Maude Barlow, Greta Thunberg are examples. From people like these I have felt subtly directed on a path to a full and responsible life.
I like a map to ease my wandering ways. I look for wake up signs everywhere I go: Indications of what might be in store for me. Sometimes these signals can be found in nature, other times I might be viewing a piece of art. Prophecy can be disguised in a time loop. I may not know if I am looking back from my older self or gazing through the bars of my crib. I’ll get a feeling that I’ve been here before. A familiar sense, a deja vu perhaps, comes over me telling me to pay attention. I’ve had some prophetic moments like this. I may not remember what I ate or wore that day but I’ll still recall the sense of being out of time. I’m learning to use this information.
When I began writing these entries I had several objectives, but I couldn’t have predicted that I would complete this one; my 200th personal essay. With humility I see myself following a wondering path similar to premier essayist and diviner Michel de Montaigne. Recording one’s passage is a bit like making a time capsule for the future. I won’t pretend to have a crystal ball. I can’t foresee what will become of me or others. I’m content being my own light. I’ll continue to let it shine.
I miss performances. The COVID19 pandemic has created an environment where culture has been a victim. China’s lunar new year holiday celebrations were affected. Italy and Spain curtailed their street cafe traditions. European countries lost their football community. I have a friend who lives for sports and he mourns the absence of watching a high performance team. He and I were both shocked when the summer Olympics in Japan had to be cancelled. What a blow to all the athletes who were robbed of the chance to perform, after years of practise, for a coveted medal of Gold, Silver or Bronze.
A large part of my enjoyment in life comes from attending a play, a dance or musical performance. I’m always awed at the work it takes to bring a piece of art to the stage. It’s thrilling to witness a one of a kind performance. I take great delight in watching young artists get their first taste at a role. When I was in elementary school I took part in public speaking competitions and my sister excelled at baton twirling. Together we once auditioned for a youth talent competition at our local television station. Our parents would admit, after we came off the stage, that they experienced sheer terror over a potentially bad outcome. We were just delighted it was over so we could go to the promised dinner and movie.
We have a performing arts college in our community and many theatre companies ask the students to perform with more veteran actors as part of their course work. These shows validate the effort it takes to make a performance count for something special. I wonder how these student actors will realize their dream of performing in front of a large audience, when large crowds are scary places to be, even while a death dealing virus is on the loose.
The most uncomfortable times in my teaching career were when I had to undergo a mandatory performance review. Working with senior teachers during the practice teaching sessions at Teacher’s College was tense enough, but being under the watchful gaze of a principal for a week created performance anxiety. Even when I felt I performed well it was hard to deflect the feeling of judgement. Performing artists must have very thick skins.
Television can fill the need to watch performers showing their skills. There is a plethora of talent shows on all major networks right now. The monotonous commercials get in the way of me engaging with the backstory behind each performer. Sometimes I tire of the need producers feel is necessary for me to know the details of each of the artist’s lives. Like a magic trick, sometimes I just want to be amazed by the performance, without knowing the details of how, why or what came before it.
I was recently moved to tears by this work from the genius of Lars Von Trier. The power of performance is breathtaking, the magic of creativity is spellbinding, the result is inspiring.
The toys I remember having the most fun with as a child were die cast. I had trucks, cars, army guys, planes. I have kept one: A wheelbarrow. Go figure. When I was eight I broke some bones in my foot. Back then the affected parts were encased in a plaster cast to immobilize the area. Suddenly I was famous! My schoolmates had heroic sympathy for me. I was cast in a whole new light. Children who I thought hadn’t even noticed me before, were happy to write funny sayings or well wishes on my cast.
In my adolescence there was nothing I liked better to do than to go fishing. With little allowance, I considered the purchase of my equipment carefully. I had a Mitchell 300 spinning reel, not a baitcast nor a spincast variety. My friend and I would spend many a lazy summer on a river or creek casting into small pools and eddies, hoping for a strike. During those blissful moments of singular concentration all other thoughts of teenaged angst were cast aside.
My parents cast my sister’s baby shoes in bronze. This was my mom’s idea as she was trying, I’m casting about for a reason here, to shed her lower class English roots. WWII had cast a long dark shadow over her adolescent experience. She refused to believe her die was cast so , while my sister was yet to be born, she persuaded my dad to immigrate to Canada. People of the Downton Abbey set will appreciate how the British Empire spread this idea of your place in society. Consider the Caste system which still exists in India. It is as if Shakespeare’s pronouncement ‘All the world’s a stage…’ was taken so seriously by government that each citizen was given a clearly defined role to play. Peace, Order and Good Government eh what?
I’ve often wondered what it would be like to go to a casting call to audition for a part in a play or film. My favourite stage or television productions are always ones with a varied cast of characters. Due to the technological advance of green screen computer enhancement, you don’t get too many movies these days advertising a ‘cast of thousands’, but for my Sunday matinee viewing pleasure as a kid, there was nothing to compare to Ben Hur or Around the World in Eighty Days. https://www.youtube.com/watch?v=vjiCO8k6Jhg
During Shakespeare’s time, ruling British monarchs waffled over rules regarding the casting of female roles. The underrated film ‘Stage Beauty’ examines this political dilemma. One of the best lines in the film is, “Who are you now?” https://www.youtube.com/watch?v=lLlKmqH_5ak. This film alludes to the challenges of defining oneself. A current phrase used in self exploration is, “I identify as…”. Part of becoming mature is being able to be comfortable with your individual nature. Looking into that metaphorical mirror we must be able to see ourselves as the one who will play the most important role within that play of a lifetime.