Re: Theatre

“Don’t go into theatrics.” my mom would say when I tried to explain why I did something she had thought was outrageous. Both my parents had local community experience on stage, so references to theatre popped up often during my childhood. My mom and dad met in a Social Club (which was a popular institution in pre-WWII England). These clubs were run by youthful members who planned dance-nights, sports events, card parties, and cultural festivals. Much later, in Canada and the USA, my parents organized successful amateur productions of traditional drama, musicals, and participatory community theatre.

My mom had plans for her son and daughter to go into showbiz. My sister and I performed on union hall stages and auditioned for television amateur shows. We didn’t like the spotlight. We didn’t dedicate ourselves to honing our talents. We were content with the theatre of our own lives. What we extended into our adulthood was our love of musical theatre, particularly as produced for the cinema. I knew many songs from these shows enough to sing heartily in the shower, or someplace private. My sister, once drunk, belted the lyrics out with enough gusto to convince me she knew them by heart too. Theatrically, our own paths diverged only slightly: She acted out on the karaoke stage while I joined voices with others in church choirs. My mother always referred to us as the devil and the angel. Pity us both.

That symbol of theatre; those masks of joy and sadness, are evident in personal lives as well as behind the curtain. There is an element of pretending in our behaviour. Some might refer to it as, “Fake it ‘till you make it.” I have to say I have tried to be genuine in my approach to life. Others have expressed that I am a man of even keel. I suppose I have tried to act that part whenever I can, being the guy everyone can count on. However there was one time in my early forties where I forgot my lines. In fact I totally went off-script and let others take the responsibility for life’s big play. Those days lacked the lift found in a musical production.

I relate closely to films that examine the complexity of the human condition. Recently I was transfixed by the television series Mare of Easttown. The titular character played by Kate Winslet, was disturbingly close to my memories of my sister. Within the gentle comedy of Ted Lasso I found that title character, played by Jason Sudeikis, to be as close to what I would like to be in my world. Self perception is often inaccurate and we may wish to deny the associations we deem fit to define us. Within the theatres of our mind we have had directors, script writers, costume designers, and singing coaches all trying to make our performance be spectacular.

A life’s work is finding the song we can sing, or the part we can play that will bring us to the red carpet knowing we’ve earned the recognition.

Re: Manage

Once I was responsible for the care of my dying partner. Over the course of nine months, from diagnosis to death, I attended to her medical, emotional, psychological, physical, and incidental needs. Folks who have had similar trials will tell you how hard it is, yet somehow we all manage, because we have to.

Manage is a brother to Cope; yet coping has a big sigh attached to it. Related words like supervise, oversee, or control can sound overly dramatic. The act of managing is not just a technical thing requiring lists, deadlines, deliverables, outcomes, and client satisfaction. A good management scheme recognizes the elements of emotion found in doing the task.

To manage our own life might be best if we could just rely on logical thinking. But thinking only of the reasons why you want to keep your life on a positive track precludes the examination of your emotional response.

My bride and I were once Resident Managers at a newly built downtown condo tower. We were at the beck-and-call of almost one hundred owners in this modern structure of 15 stories. And boy were there stories! Each owner had his/her/their unique reasons for buying into the property. Each had personalities that required personal attention or group instruction. My wife and I tried to build community, while managing the demands of the job. We had to respond to residents who had decided their problem had become unmanageable. Consequential incidents such as; robberies, fire, flooding, vehicle accidents, equipment failures, births, or escaped animals were a few of the managerial complications that were part of our five year commitment to this post-retirement, self-directed, and amusing vocation.

Then came eldercare, which is a whole different can of worms. Management stresses here centre around ensuring the elder is feeling valued, even while declining in their faculties. I find the hardest part of this responsibility is managing my own feelings around caring for another. As an elder loses ability to manage themselves it’s easy for the caregiver to feel resentment, fatigue, frustration, and isolation. I find responding to another’s dependency is a challenge. Respect is hard to maintain when a relationship loses its two-way-street understanding. Ideally, I would like to only manage myself. But that’s not a reality since I impact others, just as they have influence over my life.

All three of my grown sons are in career management positions. They also manage themselves and their relationships quite well. Like me, they have a strong desire to be independent. My employers sometimes told me that I was ‘management material’. I believe that to manage one’s life is, by itself, a measure of success. I have felt blessed by the times when governments, agencies, neighbours, friends, family, co-workers, and lovers have helped me to manage my affairs.

Back when I provided end-of-life care to my first great love, there were many times I felt overwhelmed. Near the end of my ordeal a friend named Jaakko visited the depressing scene and said, “I don’t know how you manage.” I gasped at the comfort these acknowledging words provided. Then and now, I carry on.

Re: Comedy

My mom used to tease. My sister, father and I found her intentionally mean jokes discomforting. Consequently I learned that having a laugh at someone else’s expense was not comedy. John Cleese, of Monty Python fame, posted a message on Substack regarding the difference between affectionate teasing vs nasty teasing. I took exception to his exceptionalism because I’d seen the devastating results of my mom ‘taking the mickey’ out on innocent angels. It’s no surprise that her favourite comedians were Don Rickles, Joan Rivers, and Rodney Dangerfield. Mom was dead before Ricky Gervais made a name for himself through insults, but I’m sure she would have liked his style. Teasing, Insults, Swearing, and Sarcasm can be found in my Book of Humour under the chapter titled: Cheap Shots.

Humour is subjective. Art is required to be judged by the individual. It’s how we figure out that our mouth is not the only place where taste can be discerned. And, of course, it’s impossible for all to agree on what comedy means, anymore than we can be uniform in our response to the flavour of olives. My love of humour tends toward the silly and the slapstick. I don’t understand how my bride absolutely hates silly comedy yet she loves scatological humour. To me, the silliness found in Monty Python sketches is innocent and wise at the same moment. The Three Stooges enthralled me as a child with their antics of mayhem. Later, I laughed at the absurd body language of Jerry Lewis, Dick Van Dyke, Rowan Atkinson, and Jim Carrey.

My favourite actors are also comedians. Sometimes the line between pathos and buffoonery can seem gauze-like. Robin Williams mastered this dichotomy as did Jack Lemmon before him. Humour is perhaps the most provocative art form. The double entendre found in most witticisms sets up a conflict in the mind, making it difficult to decide the truth. Stand-up comedy is challenging in this way as it reminds me of the court jesters of centuries ago trying to please the royal master while playing to the impoverished masses. Editorial cartoonists like Michael deAdder perform a similar function of pillorying political figures to make an inconvenient truth apparent. In these cases we might join in mocking laughter; “The joke’s on you!”

Comedy has to catch you at the right moment. This year is the 50th anniversary of that comedic phenomenon Saturday Night Live. Lorne Michaels deserves credit for creating this iconic television show and nurturing hundreds of comics in the process. Dark, silly, political, sexual, racial, religious and physical humour are blended like a box of specialty chocolates. The spontaneous nature of the sketches, the improvisations, can land with a bang or a plop. Something coming off funny can depend on the mood of the audience as much as the skill of the performer.

What strikes your funny-bone may be arbitrary, yet comedy is necessary to our mental health. It’s no accident that situational comedies on television have been a staple of that medium. We need to laugh most when the situation seems most dire.

Re: Plan

At one point in my sister’s life she was offered a job as an assistant city planner. I was surprised until I realized it was part of my mother’s plans for her. My sister and I were opposites in the ways of organizing one’s life: she was ever the spontaneous type, while I was very careful about every step I took. My mother, on the other hand, loved to create objectives for others. When my sis declined the offer of the city job my mom behaved like the Big Bang had just occurred. I watched the fireworks and vowed never to organize another soul’s life.

Perhaps it is a sign of the times when we let professionals plan our life events. Travel Advisors, Tour Guides, Fitness Trainers, Personal Shoppers and Menu Planners are some of the helping professions that suggest many are opting away from self care. Wedding planners have been around for a while but the occupation Life Coach suggests some of us have lost the skill to manage our own lives. My sister may have benefitted from a Personal Manager. She associated setting goals with a lack of freedom. I am amazed when others don’t prepare for their own future. My recently deceased father-in-law had no notion of planning for his declining years. At 94, on his deathbed, he said, “I didn’t see this coming.” Leaving his daughter and wife to sort out what he had left behind.

To plan is a part of my DNA so I like to be the one having a plan of action. I don’t want to be some piece of krill or bit of biota floating on the breeze or drifting in the sea spray. I may not always know where I want to go, but I like having a system that tells me I’m headed somewhere with purpose. Recently I was flustered by a friend who came to spend time with my wife. The visit had a next door neighbour drop-in feel but she came with her husband and flew across three provinces. With flimsy aspirations for a whole week, they had left it up to us to create a game plan. My lover rose to their expectations in spectacular fashion, leaving me feeling like a caught fish helplessly gasping for air in the bottom of a boat.

I like to be ready for a rainy day, yet I won’t go so far as to have an earthquake/tsunami emergency kit in my pantry. I feel comfort when my savings account is at a certain self-imposed amount. I don’t jump in the car and head off without an idea of my itinerary and an old fashioned foldable road map is in my glove box. To plan is to have peace of mind, it’s a way to corral the unknowables of time and place. Planning is the guide book of life. A character in the book Shark Heart by Emily Habeck used this logic when describing the value of making plans: A Plan leads to Control which leads to Peace.